Szikora's exhibitions such as Smarty Pants are famed for that includes paintings which incorporate roguish gingerbread men, cheeky confectionary figures and larger than life depictions of women and gentlemen.
She said: "I would love to say a terribly big special thanks to Winsor and Newton who have generously sponsored the exhibition catalogue and whose marvellous materials enable me to keep splatting and daubing."
The naughtiest Sarah-Jane Szikora paintings include 'Clean Breads; which depictssunbathing gingerbread men 'Rude Food', a picture of a gingerbread man pole dancing and 'Mischief of Mice', a portrait of a pied piper gingerbread man.
Szikora told the Journal newspaper that she selected to humanise food like gingerbread men in her paintings as a result of they need an imaginary personality that will be manipulated with art materials.
She said: "I suppose it's a nostalgic thing. I suppose folks are sympathetic towards one thing from their childhood. And you'll be able to make gingerbread men do heaps of things - everything that a creature can do."
The northern artist told the arts and culture journal Fally Rag that she hopes that her light-weight-hearted paintings provide individuals with happiness in times of crisis and despair as that is the main aim of her work.
She told Fally Rag: "The planet does not owe you happiness; you want to earn it. Get on that journey of self-discovery and change something. Art helped me to be happy, therefore hopefully by providing my results, I will pass a very little bit of that on.
"The globe has seen enough misery while not Tracy Emin's dirty knickers thrown in."
Szikora has revealed that life drawing classes at the Cleveland College of Art provided her with the inspiration to illustrate the human body with art materials that has now evolved to making comedy confectionary figures.
Szikora's work has been shown in several major exhibitions across Britain and has also been displayed often in, Selfridges and Harrods since changing into a skilled artist.
Winsor & Newton was founded in 1832 by William Winsor and Henry Newton and was originally located at Newton's home in London, which was then half of an artists' quarter in that John Constable had a studios.
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